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But the software looks visually more appealing than ever, which apart from being aesthetically pleasing means it’s generally easier to work on long sessions.
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(I had to refer back to Logic Pro 9 just to be sure.) As in 9, the main working window is a set of collapsible panes. But there’s a level of detail that makes it feel like a bigger step forward in polish. In terms of actual functionality and layout, it actually probably represents a smaller set of changes than the leap from Logic 7 to Logic 8. The first thing you’ll notice about Logic is a greatly-refined interface. It also now includes a variety of presets that take advantage of features like Track Groups, and the Smart Control layouts for desktop and iPad. Refined Interface and MixingĪpple’s updated Library is easier to navigate.
This is pre-release software and therefore a preview, not a review, but I can give you some fairly exhaustive details. There’s also one caveat: this release drops the 32-bit bridge for compatibility with plug-ins not yet updated to 64-bit support.ĬDM was given early access to Logic Pro X and Logic Remote, so I’ve been locked in the studio testing everything I can. But it comes in a controller app that you can use as an instrumental input device, mix and parameter controller, and even mobile help device. Audio editing now includes monophonic pitch editing.Īnd one prediction was right: the rise of the iPad has had an impact on Logic. There’s a deep collection of new MIDI effects. There’s a new drum kit instrument, bass amp, pedals, and keys. It adds new tools of interest to songwriters and instrumentalists that make it easier to add more human-sounding drum patterns. Logic in this release continues a beautiful interface modernization. (There’s complete backwards session compatibility.)īut let’s talk instead about what is new.
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In fact, apart from Windows compatibility, you’d be able to easily upgrade from a release of Logic from many years ago. Even old Jam Pack presets still work, and are available as an optional download. The Environment is still there, if you want it – though you’re also free to ignore it. With the exception of the long-discontinued WaveBurner and Soundtrack Pro, you’ll be hard pressed to find any “legacy” feature of Logic not in the latest release. As I suspected in 2011, this isn’t the sort of radical departure from previous versions of Logic some had feared. Logic Pro X is here, along with MainStage 3 and a new, free companion iPad app called Logic Remote.įirst, if for some reason you’re a loyal Logic user who has been dreading this upgrade, you can officially relax.
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So if you’re looking for a clean and easy way to use your computer onstage, this course is for you.It’s been four years since we saw a significant update to Apple’s flagship music production suite. To show how MainStage works in a practical performance situation, Julian also takes you through two live performances. Julian also points out the new features in MainStage 3, which mirror many of the powerful new aspects of Logic Pro 10.
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He covers how to use the playback and loopback plugins, and how to record your performances. He teaches how to build and save custom concerts, sets, and patches, and how to design your performance workspace to interface with MainStage during a live show. In this course, Julian Velard shows you all the techniques you need to get up and running with MainStage. If you’re a musician, producer, or anyone who makes music and are looking to integrate a computer into live performances, MainStage is an easy to learn, inexpensive software that also gives you access to the entire library of Logic Pro 10 sound content and software instruments.
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